Because I have been posting a little about playing chords lately, I thought I would remind you of an old post called Basic Guitar Chords And How To Play Them
Also I wanted to pass along this video on ten great tips about guitar chords It’s mostly a pitch for Dan Denley’s new guitar course, Ultimate Guide To Chords which is coming out this Thursday, July 31 at 12:00PM Eastern. So, if you’re not interested in the course, just go to the 4 minute mark where the tips start.
Here is a question most beginner guitarists need answered at least once a month:
“Assuming an average student with no “natural talent”, with a teacher and 2hr. daily practice schedule, how long until you can play some decent songs competently (I don’t mean flawlessly). I am referring to something like a “Jim Croce” kinda tune.”
“In the ideal situation someone practicing two hours a day would begin to be making music in about three months. This means strumming chords all the way through a song, changing smoothly and keeping up with the tempo. The ideal situation would be that they are being taught according to The Principles, so that there would be no hit or miss results, but rather, they would learn how to practice right from the beginning, how to train the muscles to move, and the fingers to develop strength and stretch, without at the same time building in the very “hidden” tensions that will actually make smooth controlled movement impossible.
In other words, I know that if I have someone sitting in front of me, and I train them in how to practice according to The Principles, they will without a doubt be able to play notes and chords smoothly, they will be able to “make music”. Now understand that when you say “play a Jim Croce song”, or any other song, it all depends on HOW you play it. You certainly won’t be able to play the complex fingerpicking arrangement used on “Time In A Bottle” within three months, although perhaps some very talented individuals might. But anyone can reach the level of strumming chords to a steady beat. And in time, anyone can reach the level of doing those fingerpicking arrangements. ..”for all those taking lessons: in any 6 month period, if you are not seeing any real indications that you are becoming able to do things you couldn’t do before…… then something is wrong.”
The bottom line is that with enough time and correct practice, anyone can reach any level they desire. The level of technical sophistication of just about anything you are going to hear in the folk/pop realm, is attainable by anyone. And a good rule of thumb for all those taking lessons is this: in any 6 month period, if you are not seeing any progress, any real indications that you are getting better, and becoming able to do things you couldn’t do before, then something is wrong. If you are not finding the things you can already do becoming easier to do, then something is wrong, your technical development is not being tended to properly.
And further, as a person who constantly sees guitar students who come from other teachers, I can tell you that in the majority of cases, the technical development of students is (I would go so far as to say) COMPLETELY neglected. All you have to do is read some of the testimonials and some of the reports that students who I am presently working with have posted on my site to see the truth of that unsettling comment. So it is each students responsibility to oversee the integrity of their own development.”
Jamie Andreas’ guitar method is thought by some people to be too oriented towards classical guitar players or too analytical but if you want to learn to play any style of guitar and you need a source of inspiration in your email inbox every week, go to guitarprinciples.com and sign up for the newsletter.
And today’s video answers the question, “What can I do if I put my mind to it?”
Flatpicking is the art of playing a steel string acoustic guitar using a plectrum. The reason you would want to play guitar in this manner is to give a song your own uniqe interpretation without being hampered by having to learn fingerpicking techniques or the added burden of coping with fingerpicks. You cannot play the steel string guitar with any degree of cojones without using a flatpick. It is too hard on the fingers. Flatpicking began as just another way to play hillbilly fiddle music on the guitar but as it grew in popularity and guitar players expanded their technical expertise, the repertoire for flatpickers has grown way beyond the boundaries of country and folk guitar music.
Guitarists exploring the possibilities of flatpicking include Doc Watson, Dan Crary, Clarence White, Mark O’Connor, Pat Flynn, David Bromberg, Tony Rice, Norman Blake, Larry Sparks, Charles Sawtelle, and Russ Barenberg.
Here is a free video guitar lesson on gaining speed in flatpicking.
Learn to set up your guitar with this free e-book!! Basic Guitar Set-up 101
by Charles Tauber
The info in this book strictly applies to steel string
acoustic guitars, but the basic theory is the same for classical and
electric guitars, as well as a wide variety of other fretted string
instruments. Download it here!
The book is in PDF format. If you do not have the Acrobat Reader, get it here.
