Category: Acoustic Guitars

September 26, 2008

Learn How To Play Acoustic Guitar

Filed under: Acoustic Guitars - 26 Sep 2008

The acoustic guitar is a popular instrument amongst all age groups and is a very rewarding instrument to learn to play even though you do not get to fool around with cool electric guitar sounds. So let us take a look at the techniques you will learn as an acoustic guitar player and some legendary guitarists whose work will need to become familiar with in order to hang out with other acoustic guitar players.

You can think of acoustic guitar technique in two ways: you can be a strummer or a picker. A strummer plays by dragging your thumb, index finger or plectrum across the guitar strings. You can find a multitude of strumming patterns on the internet. Start with the simplest you can find. Some strumming patterns simply show the names of the chords you are supposed to be strumming, and others show that you include only selected strings. The strings that are not included can be damped with the little finger of the left hand or the heel of the right hand.

You can pick using a plectrum - this technique is called flatpicking - or use your fingers. If you decide on fingerpicking you might want to use picks which fit on the thumb and tips of your fingers. Steel strings are hard on the fingernails so you might need fingerpicks to stop your nails being torn to shreds. Nylon strings do not demand the use of picks but after you have had some experience playing guitar you can make the decision based on the kind of sound you want.

A simple start to fingerpicking is to finger an E minor chord and place your fingers on the strings you intend to play. Do not try and do any picking, just decide which strings are the ones you are playing in this chord and place your right hand fingers in a plucking “stance” ready to play. So for the E minor chord you could place your thumb on the sixth string and your first finger on the third string, you second finger on the second string and your first finger on the first string. Now pluck each string by pressing down with the thumb and pulling up with the fingers.

If you want to see what you can do if you foster your devotion to the acoustic guitar, Leo Kottke is a good start. He is an innovative fingerstyle acoustic guitarist who is strongly influenced by folk music, jazz and blues. Another great is Tommy Emmanuel, an Australian acoustic and electric guitarist known for his energetic fingerpicking style. He has developed his own style based on the “travis picking” style of playing he heard played on records by Chet Atkins.

“Travis picking” is a style of finger picking which involves playing bass with the thumb, and melody with the first two or three fingers simultaneously. This picking style was developed by Merle Travis, an American country and western singer and songwriter who composed one of the early fifties hit songs, “Sixteen Tons”. While we are talking about travis picking, you have probably heard of Chet Atkins. He was an influential Nashville guitarist and producer of records for many famous recording artists. He played mostly electric guitar and his picking technique was inspired mostly by Merle Travis with musical influences from Django Reinhardt and Les Paul.

For the acoustic guitar player who elects to stay with the plectrumn, “Doc” Watson is an American bluegrass, folk, country, blues and gospel music singer and guitar player. He is revered by other guitar players for his astonishing flatpicking style although he does do fingerpicking.

The acoustic guitar repertoire of today owes alot to the folk revival of the sixties. Here are some names from that era whose work you should catch up with:

John Renbourn the English guitarist and songwriter is best known for his work with fellow guitar player, Bert Jansch and his career with the English folk group Pentangle. Renbourn’s musical interests include early music, folk, classical music and blues.

Bert Jansch is a Scottish folk musician whose influences include English guitarist Davy Graham. His music has influenced Jimmy Page, Ian Anderson, Donovan and Neil Young.

John Martyn is an English guitarist who also sings and writes songs. He has made twenty studio albums and worked with famous musician like Eric Clapton, David Gilmour and Phil Collins. He has invented his own sound featuring an acoustic guitar played through a fuzzbox, phase-shifter and Echoplex.

Davy Graham is a guitarist who featured heavily in the English folk scene in the nineteen sixties. Many acoustic guitar players like Bert Jansch, John Renbourn, Martin Carthy and Jimmy Page. His acoustic instrumental piece, Anji was recorded by Paul Simon on an early Simon And Garfunkel album.

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September 1, 2008

Acoustic Guitar Software

Filed under: Acoustic Guitars - 01 Sep 2008

Some people feel that acoustic guitar software with fancy animated tablature is better than taking video lessons from a teacher sitting in front of a camera. Well, why not take advantage of the latest leaps in technology?

This approach certainly moves you along. If you are teaching yourself to play the guitar without any timetable or goals you will have a good time learning at your own pace but until you try the systematic approach to learning to play guitar you will not be aware of how you are holding yourself back. So if you decide to use software to learn how to play the guitar, here is what to look for: a tuner, metronome and a chord dictionary. Technology to slow down audio and video without altering the pitch of the music is commonplace now so do not get any program that does not include this feature. High quality video lessons should be a given and audio should be real musicians playing real guitars, not midi files.

Chorducopia Audible Chord Library Software is like a computer equivalent of the chordbook you keep in your guitar case. If you are composing music and you can hear what you want to play but cannot play it, Chorducopia will get you out of trouble.Browse through the nine hundred chords, filter them by key or a variety of other methods, or search for just the one you are looking for, then listen to them. Chorducopia can show you chords related to what you have found for that extra bit of inspiration. Care has been taken with every chord, in every key to provide the most useful and accurate representation. And it sounds great too. We have put great attention to detail into the recording of every chord. We offer chord voicings made up from both the notes contained in the chord formula as well as the actual fingered notes as shown in the fretboard diagrams. All recording was done using state-of-the-art equipment and the results can be heard. Instrument, cabinet, reverb, attack and spread of individual notes in the chord have all been carefully selected for the clearest and most useful representation. We want to make our tools not only the easiest to use, but ones that exemplify their greatest asset. You. Get the idea out of your head and into your song. Product Specifications - Runs on Windows XP/Vista PC’s and PPC/Intel Macs. Contains 990 chord sounds (55 in each enharmonic key name.). Chord Sound library contains 2 banks of 3 instrument sounds each (almost 6000 files.) Bank A - Fretboard Diagram Voicings includes Clean Strat, Classical Guitar and Rock Guitar sounds. Bank B - Chord Formula Voicing Over 2 Octaves includes Acoustic Guitar, Rhodes Piano and Grand Piano sounds. Chord sounds are individual audio clips - plays on any computer with any sound card setup.

Guitar Method Version 4.0 is the best of the softwares available if that is the direction you want to go in. The program will take you from nowhere to guitar player as painlessly as possible by taking you through some basic well-known songs. You get one hundred and sixty lessons. That is alot of lessons.

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August 13, 2008

Flamenco guitar playing

Filed under: Acoustic Guitars - 13 Aug 2008

This video clip shows Paco De Lucia in the early nineteen seventies playing a rumba which appears to be pastiche of rumbas he played on a couple of his early albums. This flamenco guitar music obviously influenced by rock and roll was big departure from the way flamenco of that time was supposed to sound.

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